Visit the spot where it’s said to have all started … you can’t come to Cleveland without stopping for at least a photo of the birthplace of the Blues.(http://www.msbluestrail.org/blues-trail-markers/birthplace-of-the-blues) Call ahead or connect via email (http://www.dockeryfarms.org/contact-dockery-farms)with Executive Director Bill Lester to arrange a tour. The Dockery Plantation operates as a nonprofit foundation, and donations to support their mission are always appreciated.
255 Mississippi 8, Cleveland. 662-719-1048.
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Understanding the story of Dockery Plantation (http://www.dockeryfarms.org/history)is key to understanding the story of the Delta Blues,(http://en.wikipedia.org/wiki/Delta_blues) and while we’re not here to give you long-winded explanations, we can’t let this one go without a little background:
In the late 1800s, Will Dockery bought this former swampland to farm timber; later, he had it drained in order to use its fertile soil to produce cotton, which drew African-American workers from all over the region. Dockery was good to his people—a workforce made up of itinerant workers and sharecroppers who lived, socialized and made a life on the 10,000-acre plantation. The farm grew to be 2,000 workers strong, with its own closed economy and thriving African-American culture. At its height, Dockery was essentially its own town with a railroad terminal, school, church and general store, currency and, of course, juke joints. Though not much of a blues fan, Will Dockery respected his workers’ leisure time and made it easy for people—and musicians—to get on and off his land.
Dockery Farms soon became a center for African-American music and entertainment, and a central location for Sunflower County’s large black population to gather. Charley Patton,(http://en.wikipedia.org/wiki/Charley_Patton) known as the “Father of the Delta Blues,” lived and worked at Dockery on and off for 30 years; like many before and after him, it was here that he first heard other residents playing guitars introduced into the culture by Mexican workers in the plantation’s early days. This is where Patton learned to play from his friends and mentors, and where he went on to influence other residents—notably Howlin’ Wolf,(http://en.wikipedia.org/wiki/Howlin_Wolf) Willie Brown,(http://en.wikipedia.org/wiki/Willie_Brown_(musician)) Tommy Johnson (https://en.wikipedia.org/wiki/Tommy_Johnson_(musician))and Roebuck “Pops” Staples—(http://en.wikipedia.org/wiki/Pops_Staples)establishing what we now know as the Delta Blues.(http://en.wikipedia.org/wiki/Delta_blues)
When Will’s son Joe Rice Dockery inherited the plantation in the 1930s, mechanized cotton picking was just becoming a reality in the South. The practice gained traction through the 1940s, and transformed the industry and its need for human labor; the resident culture dwindled as the Great Migration (http://en.wikipedia.org/wiki/Great_Migration_(African_American))was now fully underway. Thousands of African-American workers—the Delta’s own musicians among them—moved north and west to cities like New York, Detroit, Chicago, St. Louis, Kansas City, Houston, San Francisco and Los Angeles in search of work, taking the blues to new audiences everywhere they went. Eight of the plantation’s original buildings still stand, and the historic site (listed on the National Register of Historic Places) is open to the public.
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W.C. Handy’s Enlightenment
(http://www.msbluestrail.org/blues-trail-markers/the-enlightenment-of-w-c-handy)Stand on the very site where Florence, Alabama, native (http://www.visitflorenceal.com/things_to_do/w-c-handy-birthplace-museum-library/)and Clarksdale bandleader W.C. Handy (http://en.wikipedia.org/wiki/W._C._Handy)was forever changed by the blues in 1905. Handy’s band was performing at a party at the Bolivar County Courthouse in Cleveland, and when the white guests requested that he play some “native music,” he played a traditional Southern number. The guests, unsatisfied, insisted that a few black performers from the outskirts of town take the stage for a few songs, and the crowd went wild, showering the ragged trio with money—more than Handy’s band generated that night. What Handy saw and heard forever altered his own musical career and the entire blues genre as he recognized the way people responded to the sound. He would later move to Beale Street (http://en.wikipedia.org/wiki/Beale_Street)in Memphis and pen the first published blues song,(http://en.wikipedia.org/wiki/The_Memphis_Blues) “Memphis Blues.(http://www.youtube.com/watch?v=ZGqBmlZR3dc)”
Bolivar County Courthouse,204 N. Pearman Ave., Cleveland. 662-846-5881
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Cast of Blues (https://www.deltastate.edu/library/departments/archives-museum/a-cast-of-blues/)/ Delta State University
(https://www.deltastate.edu/library/departments/archives-museum/a-cast-of-blues/ OR https://deltacenterdsu.com/cast-of-blues)See more than 50 sculptural life masks (https://deltacenterdsu.com/cast-of-blues)of blues performers, cast directly from their faces, at Ewing Hall at Delta State.(http://www.deltastate.edu/pages/1599.asp) Performers include Bo Diddley,(http://en.wikipedia.org/wiki/Bo_Diddley) David “Honeyboy” Edwards,(http://en.wikipedia.org/wiki/David_%22Honeyboy%22_Edwards) Pinetop Perkins,(https://pinetopperkinsfoundation.org/about-pinetop) Robert Lockwood (http://en.wikipedia.org/wiki/Robert_Lockwood,_Jr.)and others. This incredible piece of art was created by blind sculptor Sharon McConnell (https://blues.gr/profiles/blogs/artist-lecturer-and-teacher-sharon-mcconnell-dickerson-talks)and was donated to the University for permanent display. Delta State is also home to the region’s acclaimed entertainment industry studies program, featuring state-of-the-art recording studios.
Delta State University, 1003 W. Sunflower Rd., Cleveland. 662-846-4579
GRA(http://www.grammymuseumms.org/)MMY Museum® Mississippi
(http://www.grammymuseumms.org/)Dive deeper into American music history at the only official GRAMMY Museum outside of Los Angeles. Like its sister museum in California,(http://www.grammymuseum.org/) this 27,000 square-foot, state-of-the-art attraction explores the past, present and future of music with a spotlight on the musicians, songwriters and producers of the Delta. Get a true sense of Mississippi’s overwhelming impact on American music through dynamic exhibits, interactive presentations and public events.
Delta State University, Cleveland.
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Mississippi Blues Trail
(https://www.visitclevelandms.com/music-blues-route)Even if you don’t seek out every marker, the points of interest descriptions linked below are crucial in telling the story of the Delta Blues. You’ll find five Blues Trail markers in Cleveland:
Chrisman Street (http://www.msbluestrail.org/blues-trail-markers/chrisman-street)the African-American center of culture and commerce during segregation
Po’ Monkey’s (http://www.msbluestrail.org/blues-trail-markers/po-monkeys)the last authentic rural juke joint (see above)
W.C. Handy’s Enlightenment (http://www.msbluestrail.org/blues-trail-markers/the-enlightenment-of-w-c-handy)(described above), marking the spot where he realized the value and marketability of the blues
Alligator Blues (http://msbluestrail.org/blues-trail-markers/alligator-blues)detailing the music and legends in the tiny community of Alligator *Take the backroads to discover these and 10 other Blues Trail markers in the area on the Blues and More Driving Tour.(http://www.visitclevelandms.com/BLUES%20&%20MORE.pdf)